ON PLAYING BY “EAR”
This is a topic I’ve been very curious about and I’d love feedback from both trained and self-taught musicians, schooled, unschooled, classical, improv, other-taught etc
First of all, some people just have the “knack.” I started out on the clarinet at age 9 and played by ear two weeks later and was hooked. Playing by sight is less natural and sometimes painful to me. People who can fluently do both may have it made in the shade.
Here are a few analogies that happen in my brain. I’d love to hear about yours. (No pun.)
In one way, it’s like walking. If I go into the spare bedroom, it’s a short walk and must be and is that way. The TV set is just further and to go there I have to cross a wide gap, but not as far as the garage. It’s about mental placement. Or it’s like sorting mail. The “A” letters go in this top pile because they just do. The “Ms” go in the middle and they must. The “Qs” go a little further down the line. Things have their place and they just must go there. Spoons don’t go in the fork compartment. Enough with that analogy.
Here’s how I approached picking out a chord progression from the radio before I took music theory. Most songs just have patterns of chords. If a C goes to an F then a Dm, then there will probably be places where the same sequence of chords appears later in the song – – Often over and over. I guess my ear tried to pick out the bass notes and then used the related chords (either major or minor); whichever the song sounded like. The Bass note is key here. The little bass decorative bass note runs are not in this mix. The louder, longer, more on (or nearest) the beat are the ones I’m talking about here. The bass line often plays the name of the chord. A “G” chord will have a G bass note and so on.
After taking music theory and learning about I, IV,Vs and other chord progressions numerically, I saw the greater system. This explained why Cs,F, and Gs were often together in songs just like As,Es, and Ds. Most songs on the radio follow a 1,4,5,1 progression. vi, VI, IV is also popular. Now, there are lots of IV,V, vi,V in popular songs.
I’ll try to write about all those numbers later on. But I don’t think in terms of numbers when listening to a song I want to figure out. I listen to the bass line. The introduction itself is like a little microcosm of the whole song. It usually contains both the majority of chords in the song and how they are strung together.
Once you have the intro figured out, most of the song will be those very chords played over and over – or at least the chorus. Then you will have the sequence of verse-chords which stay pretty much the same from verse to verse. Songs often have a “bridge” portion; that interest piquing different part after two verses that brings you back home to your beloved chorus. Those chords may be different from the chorus or verses.
I sing along with the bass line then take it to the guitar or piano. Those notes are usually played over and over and they often carry the (name of the ) chord. And that is your song.
Internet site song chords are often correct for the most part, but some leave a bit to be desired. Try singing the bass notes to see if the chords are on the correct words and are based(!) on the correct note. Fiddle around with some different related chords and that may bring the song to life for you. Try using a chord from further on down the song.
[Shoot; that’s a whole other topic. How do you know when to even switch the chords if they are poorly placed on the screen? The new chord is often on the first beat of the measure or on the emphasized or longest word. Sometimes at the beginning of the sentence. On the word that the sound becomes different or moves. My ears just hear it. The color of the picture changes. Suddenly, there is a new shape, or texture. One is a glass, one is a plate. Things just shift. How would YOU describe this?? Margie is curious! ]
If I’m really stumped by a chord I just find the bass note and play around with any chord containing that note.
I’d really like to hear how you all figure out melodies and chords. How do you get the job done?? What mental pictures can you sort of use to help explain your method? Do you prefer reading or playing by ear? And what do you use your music for/ to accomplish?
What’s your end result?? What technique do you use to improve your skills? And all that Jazz??
Submitted by Margie La Bella of music therapy tunes. com.
How to play songs by ear, playing by ear for musicians and “non-musicians” and is there such a thing, really…..